long arm & high arm sail making machine

The practicality of using quilting machine embroidery designs cannot be overstated. Automated processes significantly reduce the physical strain associated with hand stitching, making quilting more accessible to individuals with physical limitations or those who may lack the time to commit to lengthy hand-stitched projects. Furthermore, the speed of machine embroidery allows quilters to produce larger projects in a shorter timeframe without sacrificing quality.

Modern sewing machines are designed with user convenience in mind. The automatic backstitch feature is typically easy to engage with just the push of a button or the flip of a lever. This simplicity makes sewing machines with this feature approachable for beginners who may feel intimidated by the technical aspects of sewing. The intuitive nature of these machines fosters a more enjoyable sewing experience, encouraging beginners to hone their skills without unnecessary frustration.

The applications of double needle lockstitch machines span a wide range of industries. In the apparel sector, they are used for sewing sportswear, children's clothing, and other garments that require durability and flexibility. The machine's ability to handle multiple layers of fabric makes it perfect for producing items like jackets or quilts, where strength is paramount.

Beyond garments, the double needle stretch stitch can also be employed in crafting projects and upholstery, such as making stretchable pillow covers or creating décor items requiring flexible seams. Its versatility makes it an essential technique for anyone looking to expand their sewing skills.

R-5568:

3. Ceramics

This article discusses the discovery of phosphorescent lithopone on watercolor drawings by American artist John La Farge dated between 1890 and 1905 and the history of lithopone in the pigment industry in the late 19th and early 20th centuries. Despite having many desirable qualities for use in white watercolor or oil paints, the development of lithopone as an artists’ pigment was hampered by its tendency to darken in sunlight. Its availability to, and adoption by, artists remain unclear, as colormen's trade catalogs were generally not explicit in describing white pigments as containing lithopone. Further, lithopone may be mistaken for lead white during visual examination and its short-lived phosphorescence can be easily missed by the uninformed observer. Phosphorescent lithopone has been documented on only one other work-to-date: a watercolor by Van Gogh. In addition to the history of lithopone's manufacture, the article details the mechanism for its phosphorescence and its identification aided by Raman spectroscopy and spectrofluorimetry.

You can find more information about EFSA’s work in the area of food additives on our website