Leather sewing machine

Industrial zig zag embroidery machines are essential tools for businesses in the textile and embroidery industry. These machines are designed to create intricate and detailed designs on fabric with precision and speed. The zig zag stitching technique allows for the creation of unique and eye-catching patterns that add a touch of elegance and sophistication to any garment.

Additionally, a heavy-duty machine often comes with a higher speed capability, allowing for quicker project completion. This is especially beneficial for business owners or individuals who engage in large-scale leather crafting.

One of the significant advantages of walking foot sewing machines is their ability to handle difficult materials. In industries where durability is essential, such as in the production of workwear, tents, and tarpaulins, the walking foot machine excels. It provides a robust solution for sewing together thick layers, ensuring that seams are not only secure but also aesthetically pleasing. By minimizing puckering and distortion, these machines contribute to the high standards required in commercial sewing.

For those who prefer a more portable solution, the Janome Graceful Grey is a lightweight option that doesn’t compromise on features. This compact sewing machine features an automatic needle threader and has a simple interface that is accessible to all users. Its portability means you can take your sewing projects on the go, whether you’re heading to a sewing class or simply want to sew in a more comfortable setting.

The single needle bag closer sewing machine stands out for its simplicity and reliability. It is specifically designed to sew bags made from various materials, including burlap, jute, polypropylene, and other woven fabrics. With its single needle configuration, this machine is adept at providing a tight and consistent stitch, which is imperative for maintaining the integrity of packaged goods.

Another factor that influences the price is the brand. Well-known brands with a reputation for quality and reliability, such as Brother, Singer, and Janome, may command higher prices. These brands often provide better customer support and warranties, which can be beneficial in the long run. Lesser-known or generic brands may offer more competitive pricing but could come with trade-offs in terms of quality and service.

A great number of other brands with fancy names have gone out of the German market, because of some defects in the processes of manufacture. The English exporters, as a rule, offer three or four grades of lithopone, the lowest priced consisting of about 12 per cent zinc sulphide, the best varying between 30 and 32 per cent zinc sulphide. A white pigment of this composition containing more than 32 per cent zinc sulphide does not work well in oil as a paint, although in the oilcloth and shade cloth industries an article containing as high as 45 per cent zinc sulphide has been used apparently with success. Carefully prepared lithopone, containing 30 to 32 per cent sulphide of zinc with not over 1.5 per cent zinc oxide, the balance being barium sulphate, is a white powder almost equal to the best grades of French process zinc oxide in whiteness and holds a medium position in specific gravity between white lead and zinc oxide. Its oil absorption is also fairly well in the middle between the two white pigments mentioned, lead carbonate requiring 9 per cent of oil, zinc oxide on an average 17 per cent and lithopone 13 per cent to form a stiff paste. There is one advantage in the manipulation of lithopone in oil over both white lead and zinc oxide, it is more readily mis-cible than either of these, for some purposes requiring no mill grinding at all, simply thorough mixing with the oil. However, when lithopone has not been furnaced up to the required time, it will require a much greater percentage of oil for grinding and more thinners for spreading than the normal pigment. Pigment of that character is not well adapted for use in the manufacture of paints, as it lacks in body and color resisting properties and does not work well under the brush. In those industries, where the paint can be applied with machinery, as in shade cloth making, etc., it appears to be preferred, because of these very defects. As this sort of lithopone, ground in linseed oil in paste form, is thinned for application to the cloth with benzine only, and on account of its greater tendency to thicken, requires more of this comparatively cheap thinning medium, it is preferred by most of the manufacturers of machine painted shade cloth. Another point considered by them is that it does not require as much coloring matter to tint the white paste to the required standard depth as would be the case if the lithopone were of the standard required for the making of paint or enamels. On the other hand, the lithopone preferred by the shade cloth trade would prove a failure in the manufacture of oil paints and much more so, when used as a pigment in the so-called enamel or varnish paints. Every paint manufacturer knows, or should know, that a pigment containing hygroscopic moisture does not work well with oil and driers in a paint and that with varnish especially it is very susceptible to livering on standing and to becoming puffed to such an extent as to make it unworkable under the brush. While the process of making lithopone is not very difficult or complicated, the success of obtaining a first class product depends to a great extent on the purity of the material used. Foreign substances in these are readily eliminated by careful manipulation, which, however, requires thorough knowledge and great care, as otherwise the result will be a failure, rendering a product of bad color and lack of covering power.

≤12